The picture is all over the map. Nothing coheres.. Paul Thomas Anderson's hippie noir seems completely stoned: inarticulate, confused and prone to giggling at unknown jokes. Pynchon fans might tolerate it.. Anderson seems to have lost all real pleasure in filmmaking; he seems to feel it's a kind of duty now, the weight of his various influences weighing him down and crushing the bright, grasping, sensitive artist who made Boogie Nights and Magnolia.. Inherent Vice lives happily on the outer limi...
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